David Guetta Fan Mail Address, Phone Number, Texting Number and Contact Details

David Guetta details like Fan Mail Address, Phone Number, Autograph request, and mailing address is shared here. Are you a follower of David Guetta? Are you searching on search engines for the How to contact David Guetta? What is the phone number, Texting number contact number of David Guetta’s Manager, or his personal contact number? What is the email id of David Guetta?

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Pierre David Guetta born November 7, 1967, is a French DJ, record producer, remixer, and songwriter. He co-founded Gum Productions with Lisa Dodgson and released his first album, Just a Little More Love, in 2002. Later, he released Guetta Blaster (2004) and Pop Life (2005). There are few DJs in the world who can elicit the reaction that David Guetta does. Whether it’s 50,000 fans singing along to his hit songs at the recent massive Stade De France stadium Unighted über-party, or dark rooms of clubbers locked in the groove.

David Guetta Contact Information

Here you can find his contact data, including his fan mail address, address details, email id, residential address, house address, place of birth, phone number, contact number, email id, physical address, booking agent data, manager/secretary contact information.

Fan Mail Address:

David Guetta
Paradigm Talent Agency
8942 Wilshire Blvd.
Beverly Hills, CA 90211-1908
USA

Address Information:

Paradigm Talent Agency
(Talent and Literary Agency)
8942 Wilshire Blvd.
Beverly Hills, CA 90211-1908
USA

That’s because he walks a unique and daring tightrope that most DJs wouldn’t dare to walk: the line between being an underground DJ and having massive crossover success. That may not seem like a natural pairing, but David flits between French prime-time TV appearances, deep sets at Space Miami, and producing music that appeals to clubbers and beyond with apparent ease. The fact that he won a World Music Award and was voted the best house DJ in the DJmag Top 100 in the same year demonstrates his ability to work in both of these seemingly disparate worlds.

I’m not trying to be credible,’ David admits, his soft, open face widening. ‘I’m attempting to be incredible.’ It’s very simple to live underground because all you have to do is follow a set of codes. It’s very formulaic. But it’s also very easy to be completely pop because it’s so formulaic. ‘I’m attempting to do something different.’ And it’s working. With DJ sets at hundreds of the coolest clubs, each year and record sales totaling more than three million singles and nearly two million albums – half a million of which are for his latest artist long player ‘Pop Life’ – it’s clear that his own path is fruitful.

David has been a huge star in France for over a decade and is now taking his success worldwide. In America, for example, all of ‘Pop Life’s singles charted in the top ten on Billboard Dance Airplay, and Love Is Gone remained at No. 1 on iTunes Dance USA for three months – all, while the album went gold in multiple territories across EuropeKids, listen to everything they can get their hands on on the Internet. It’s nice because success has allowed me to have a great time on stage and in the studio with amazing people, but it’s all a little strange to me. If you put a demo on the internet and claim it’s the final version, people will complain.

That really irritates me. I’ve built a bridge between European electronic culture and urban American culture, and I’ve collaborated with well-known brands. I’m not constrained in any way. I want to be a nice guy. I mix all styles on my albums because that is what music is about now. I can make everything I do come from my laptop. Even when I go to a large studio, all I do is plug in my laptops. That’s how I do it. Everything I do stems from the clubs. If I lose that, I’m done.

All of the major artists I’ve spoken with say they’re stuck in a rut and are looking for the music of tomorrow had the most backward education imaginable. Every parent wants their son to be a successful businessman; mine was the polar opposite. When I became an artist, my mother exclaimed, ‘Oh, finally, I’m proud of you!’ My parents were extreme leftists, so everything was against the system. When I was eight years old, I was barefoot in the streets of Paris. When I first started DJing, they despised it because nightclubs, and all of this life, were terrible and phony to them. Everything I create as a producer is first visualized as a DJ.

And I put all of those beats to the test as a DJ. My studio is a laptop. Everyone I work with is the same. We make computer music; we are the laptop generation. I wouldn’t be happy if I had to play only for people who liked the music because they heard it on the radio. That’s why I’m working so hard to establish not only a profile as an artist but also a profile as a DJ. I don’t do it for the money, I don’t do it for record sales, I don’t care about any of that; I just want to make beats. I’m trying to walk a tightrope, keeping the DJ community happy while spreading the word about Dan.

(1)Full Name: Pierre David Guetta

(2)Born:7 November 1967

(3)Father: Pierre Guetta

(4)Mother: Monique

(5)Brother: Bernard Guetta

(6)Spouse: Cathy Guetta

(7)Occupation: French DJ

(8)Famous As: French DJ

(9)Birth Sign:  Scorpio

(10)Nationality:French

(11)Height: 5ft 7 

(12)Religion: Christan

(13)School: Not available

((14)College/University:Not available

(15)Educational Qualifications: Not available

(16)Hometown:  Paris

(17)Address: Paris

(18)Hobbies: Not available

(19)Contact Number: Not available

(20)Email ID: Not available

(21)Facebook:https://www.facebook.com/DavidGuetta

(22)Twitter:https://twitter.com/davidguetta

Guetta is also EMI’s most requested artist for summer compilations. David is as popular outside of nightclubs as he is inside, with around 50 million views on YouTube (and counting). In fact, David’s videos are ranked first and third in the most-watched Electronica clips on YouTube – globally and all time! Guetta has performed for a diverse range of people this summer, including Love Parade, Bahia Carnival, Queensday, Techno Parade, and Global Gathering.

Before you even factor in club gigs or the Pacha Ibiza residency, that adds up to around 4,500,000 dancers! It’s a rush to perform in front of large crowds, but he’s never out of a club for too long. ‘At the Brazil Carnival, I spun to two million people, and I’ve played to up to 200,000 a few times,’ he says proudly but not arrogantly. ‘Of course, it feels very good because of the energy you receive from the people.’ At first, I wanted to play only in front of the largest crowds possible, because it’s like a drug. Now I alternate between large-scale shows and smaller-scale club appearances where I can experiment with new sounds. The big venues are great, but sometimes playing in front of so many people forces you to repeat the same tricks.

That explains a lot about David Guetta. He wants to entertain as many people as possible – to show everyone a good time – but never at the expense of being a DJ. This is the most important aspect of his renaissance life – he’s a DJ first and foremost, and everything else follows. During his incredible US tour, he performed at one of his favorite venues. After three hours of his biggest and best at Crobar Miami, he dived over to Space to go deep for another six hours. ‘

Playing those two gigs was like the two basics of DJing,’ he says, ‘the raw energy of super dynamic mixes and party tracks for Crobar, and taking people on a trip with long, deep mixes at Space.’ It’s not uncommon for David to stay on the decks after his big party set to play all the other records he loves. After a couple of hours of big drops, singalongs, arms in the air, screaming, and acapella being sliced and diced, he’s got the crowd where he wants them, and for the next one, two, three hours he’s going to take them on a groove.

Guetta’s ability to whip up a room into a frenzy is something to behold. He’ll direct the crowd like a puppeteer, driving their hands in the air as he works CDJs, EQs, and effects in a way that sounds more like someone using Ableton. Many people are u you give people a night to remember, they appreciate it. When you get this close to Guetta, it’s clear he’s not interested in the money, the glamour, or the life of a pop star. Some in the press want him to be a softer, more emotional, and easygoing man. He doesn’t want to dazzle people; he wants to touch them. ‘

Everything I’m trying to do – DJing, production – is about sharing emotion.’ That’s all I’m looking for when I’m making music in the studio. It is the most important thing. ‘I’m just a nice person, you know!’ Yes, that’s nice. And fervent and genuine. The media wants to put him in a convenient box as a glamorous star, but Guetta refuses to fit into any pigeonhole – except perhaps one: DJ.Winner of Best House/Garage Track and Best Breaks/Electro Track (for the single “Love is Gone”) at the International Dance Music Awards. [2008] Has two children with his ex-wife and Cathy Guetta.

He had to cancel a world tour after misplacing the USB drive on which he had saved his musical set. Personal Quotes (31) As a result, dance music has become pop music. So, as a dance producer, what should I do now? So I’m starting to do alien music because pop is no longer pop; we need to go alien to be independent. I’m not a nostalgic person at all. I’m always looking ahead, and as much as I’ve enjoyed the ride so far and the various phases, I’m more excited about the next music.

I have studios in each of my homes – Ibiza, Paris, and London – but they’re not crazy studios; they’re just rooms with good monitors, and all I do is plug in my laptop. It’s a different way of making music, but I like it because it’s more connected to the world. Actually, because of new technologies, my entire studio is now on my laptop. And I keep a small keyboard in my bag. I can make everything I do come from my laptop. Even when I go to a large studio, all I do is plug in my laptops.

That’s how I do it. It’s not a good idea to create when you’re too relaxed. Music sounds different all over the world. There are many different genres, and when you see R&B, pop, house, and electronic all mixed together, that’s the reality of what music is. The more melodies and chord changes there are, the less good it is for clubs, but the better it is for radio because it makes it very emotional. Sometimes two artists want to collaborate, but it doesn’t always happen because the right idea has to be found.

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