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American Tim Burton is a creative force in many fields. Burton turned his passion for painting into a successful career thanks to his natural talent and creativity. After finishing up at the California Institute of the Arts, he started as an apprentice animator at the Walt Disney Studios. His ambitious plans to leave his impact on the American cinema business as a director, producer, writer, poet and stop-motion artist were only getting started. As of 2020, his career will have spanned over half a century, and he will have directed a wide variety of horror and fantasy films.
All of his films, without exception, feature solid musical interludes, which contribute to the overall mood of gloomy gothic horror. His films typically centre on a social misfit that most cast misunderstands. The movies “Pee-Big wee’s Adventure,” “Batman,” “Batman Returns,” “Planet of the Apes,” “Charlie and the Chocolate Factory,” “Alice in Wonderland,” and “Edward Scissorhands” are just a few of his hits.
On August 25, 1958, Tim Burton was born to Jean and Bill Burton in Burbank, California. His mother had a store specializing in cat-related items, while his father, a former minor league baseball player, was employed by the “Burbank Park and Recreation Department.” He was just an average student who found more enjoyment in the arts than schoolwork and spent most of his free time painting, drawing, and watching movies.
Tim’s been making movies since he was a young kid. Stop-motion animation was a hobby he participated in frequently. In his early teens, he directed “The Island of Doctor Agor,” a film in which he also starred. He developed his filmmaking talent here, producing works such as “Stalk of the Celery Monster” and “King and Octopus.” In 1979 he completed his studies at the university. His first job out of school was an apprenticeship with the ‘Walt Disney Studios. However, his time at the studio was cut short due to creative conflicts with some of the studio’s executives.
The short film he directed while employed at “Disney,” named “Vincent,” premiered at the “Chicago Film Festival.” He received praise for the picture and even won an award for it. The next film he directed was a live-action version of “Hansel and Gretel.” “Frankenweenie” was his second short film, and it was also a live-action feature it came out in 1984. Also, this was his final year working for “Disney.”
As a result of the popularity of his first two shorts, he was allowed to direct the feature film sequel starring his beloved creation, “Pee-wee Herman.” “Pee-Big wee’s Adventure” was the title of the movie. Tim and composer Danny Elfman worked together for the first time on this film, beginning a long and fruitful partnership that lasted for many more. The financial success of ‘Pee-Big wee’s Adventure’ opened the door for him to helm similar movies throughout the 2000s. Batman and Beetlejuice were among these movies. His status as a top-tier director was cemented by the success of both of these pictures. When it was first released, “Batman” was an instant smash at the box office.
He kicked off the 1990s with the romantic fantasy flick Edward Scissorhands. The critics agree that this is one of his finest works, and the film was a commercial triumph. He was inspired to create “Batman Returns” by the box office success of “Batman,” which was released in 1992. The film took a darker turn from its source material and focused more on the villains than the hero.
Written and directed by him, the animated musical picture The Nightmare Before Christmas debuted in theatres in 1993. Fans and reviewers enjoyed the film, which led to its financial and critical success. After 1992’s ‘Cabin Boy,’ he followed it up with ‘Ed Wood,’ both released in 1994. Both movies were critically and commercially condemned. ‘Ed Wood’s positive reception from reviewers was the only bright spot. In 1994, he got to work on the next instalment of the “Batman” franchise: “Batman Forever.” The movie, directed by Joel Schumacher, was a massive financial success, bringing in over $336 million worldwide.
Following the success of the latest film in the “Batman” trilogy, he collaborated with Denise Di Novi to develop “James and the Giant Peach.” Filmmaker Henry Selick gained acclaim for his work on the picture. He finished the decade with three additional features: “Mars Attacks!,” “Superman Lives,” and “Sleepy Hollow.” Although ‘Mars Attacks!’ was a financial failure, ‘Sleepy Hollow,’ based on ‘The Legend of Sleepy Hollow’ by Washington Irving, was generally well-received. His second idea, “Planet of the Apes,” came to him in the new millennium. Although audiences and critics reacted differently to the picture, it was nonetheless an economic success.
After that, he directed the film adaptation of the novel Big Fish. Both audiences and critics overwhelmingly praised the movie. It was nominated for five awards: four Golden Globes and an Academy Award. Both “Charlie and the Chocolate Factory” and “Corpse Bride” were his brainchild in 2005. The former grossed $475 million worldwide and was nominated for an “Academy Award” in the “Best Costume Design” category. His first feature-length stop-motion film was 2014’s “Corpse Bride.”
The 2007 film “Sweeney Todd: The Demon Barber of Fleet Street” was directed by him. He directed the computer-animated science fiction feature picture 9 in 2009. Both films were critically acclaimed and went on to win multiple accolades at events like the Academy Awards, the Golden Globes, and others.
Tim Burton Contact Information
Here you can find his contact data, including his fan mail address, address details, email id, residential address, house address, place of birth, phone number, contact number, email id, physical address, booking agent data, and manager/secretary contact information.
Fan Mail Address:
Tim Burton Productions
1990 S Bundy Dr
Los Angeles, CA 90025-5253
Tim Burton Productions
1990 S Bundy Dr
Los Angeles, CA 90025-5253
He came up with the idea for the 2010 film “Alice in Wonderland,” which won “Academy Awards” for “Best Art Direction” and “Best Costume Design.” He then wrote “Dark Shadows,” which was met with lukewarm reviews from critics. In 2012, he helped develop the film “Abraham Lincoln: Vampire Hunter.” The film adapted Seth Grahame-novel Smith’s of the same name. The public’s reception was lukewarm when it first premiered. His 1984 film “Frankenweenie” was turned into a feature film he directed the following year. Big Eyes, a biographical drama film he co-produced and directed, was released in 2014. The film was nominated for “Best Production Design” at the 2015 British Academy Film Awards.
Miss Peregrine’s Home for Peculiar Children, a fantasy film he directed in 2016, was released that year. Earning $296.5 million worldwide at the box office, the picture was a financial triumph. He also directed “Alice Through the Looking Glass,” a sequel to his “Alice in Wonderland” from 2010, in the same year.
He helmed the 2019 fantasy adventure picture “Dumbo,” which had its world debut on March 11 in Los Angeles. Earning $353.3 million worldwide on a budget of $170 million, the picture was a significant financial success. At the 64th ‘Venice International Film Festival’ in 2007, he received the ‘Golden Lion for Lifetime Achievement Award.’ For his original take on horror and fantasy, he was awarded the “Scream Immortal Award” in 2008.
(1)Full Name: Timothy Walter Burton
(2)Born: August 25, 1958
(3)Father: William Burton
(4)Mother: Jean Burton
(5)Brother: Daniel Burton
(6)Spouse: Lena Gieseke (m. 1989–1991)
(7)Occupation: Filmmaker, Artist, Writer, and Animator.
(8)Famous As Filmmaker, Artist, Writer, and Animator.
(9)Birth Sign: Virgo
(11)Height: 5 feet 11 inches
(13)School: California Institute of the Arts
(14)College/University: California Institute of the Arts
(15)Educational Qualifications: California Institute of the Arts
(16)Hometown: Burbank, California, United States
(17)Address: Burbank, California, United States
(18)Hobbies: writer, producer, director, artist
(19)Contact Number: (310) 300-1670
(20)Email ID: NA
At the 63rd annual ‘Cannes Film Festival,’ which took place from May 12-24, 2010, in Cannes, France, he presided as head of the jury. In 2010, he was honoured by then-Minister of Culture Frédéric Mitterrand with the title Chevalier of Arts and Letters. Throughout his career, he has picked up several honours, including Emmys, Golden Globes, a few numbers, and a few pages. He married the German artist Lena Gieseke. But their marriage did not work out, and he eventually abandoned her for Lisa Marie Smith.
His early success in the film industry was powered by almost extraordinary good luck, but his talent and uniqueness have maintained him at the top of Hollywood. Films he worked on include The Fox and the Hound and The Black Cauldron (1985). However, he had creative issues with his coworkers. Disney, however, saw his potential and allowed him to create Vincent, an animated short about a young boy who aspires to be like Vincent Price.
The short, which Price narrated, received widespread praise and numerous prizes. Besides his first live-action short film Frankenweenie, Burton created a few more animated shorts. Although the movie was only half an hour long, this new take on the Frankenstein story was considered unsuitable for general release. To counter this, actor Paul Reubens viewed Frankenweenie and decided that Burton would be the perfect choice to direct him in his first full-length feature picture, Pee-Big wee’s Adventure. Burton’s stardom skyrocketed with the unexpected success of his film. Though several scripts were pitched to him afterwards, Burton was keen on pursuing fresh material.
After the release of his previous film, he didn’t direct another movie for three years until he was given the script for Beetlejuice. The script was crazy and didn’t have much plot, but it was so rich in eccentric creative possibilities that Burton couldn’t pass it up. The success of Beetlejuice further cemented Burton’s reputation in Hollywood. This was also Michael Keaton’s first film. Soon after, Warner Bros. entrusted him with Batman, a feature adaptation of the groundbreaking comic book series of the same name.
The movie featured Michael Keaton and Jack Nicholson and was the year’s largest commercial success and Burton’s biggest box office blockbuster. His first three movies did so well that he was given creative freedom to do whatever he wanted for his fourth. One of his most heartfelt, acclaimed, and artistic flicks was Edward Scissorhands. Furthermore, Edward Scissorhands marked Tim Burton and Johnny Depp’s debut collaboration on film.
Although Burton’s second film, Batman Returns, was not a financial failure, many audiences were underwhelmed by its darker tone and quirky style compared to the original. He produced the hit film The Nightmare Before Christmas, directed by his former Disney Animation colleague Henry Selick, at the same time he was working on Batman Returns. Ed Wood, in which Burton reteamed with Depp, was a critical and commercial failure at its first release but has since gained widespread renown through the efforts of Martin Landau, who was nominated for an Academy Award for his portrayal in the picture.
In contrast to his previous work, Burton’s next film, Mars Attacks!, had far more vivid colours. Even though it was directed by Burton and starred in A-listers like Jack Nicholson, Glenn Close, Pierce Brosnan, and Michael J. Fox, the film was met with mixed reviews and disappointing box office returns.
Burton returned to his darker and more creative form with Sleepy Hollow (1999), starring Johnny Depp, Christina Ricci, and Casper Van Dien. The film’s art direction won plaudits, and audiences and investors alike were pleased, making up for Mars Attacksfailure !’s to win over audiences. His next movie was a reimagining of the original Planet of the Apes. Despite widespread negative reviews, the picture was a commercial success. Burton met the mother of his children, Helena Bonham Carter while filming Planet of the Apes.
Big Fish, directed by Burton, is a more conventional film than most of his others; it was well-received by critics but disappointed some of his long-time admirers who had grown accustomed to the eccentricities of his earlier works. Despite ups and downs, Burton established himself as a major 20th-century filmmaker. This time he was behind the camera for Johnny Depp in Charlie and the Chocolate Factory, a film that was just as offbeat as everything else he had directed.