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Matthew Gregory Lewis, better known by his pen name Monk Lewis, was an English novelist and dramatist who achieved overnight fame as a result of the phenomenal success of his gothic novel The Monk (born July 9, 1775, in London, England; died May 14, 1818, at sea). He was born on July 9, 1775, in London, England (1796). After that, people started referring to him as “Monk” Lewis. Lewis, who received his education at Westminster School and Christ Church, Oxford, later became a member of Parliament and served as an attaché to the British embassy at The Hague between the years 1796 and 1802.
In the year 1812, he received wealth along with extensive holdings in Jamaica as an inheritance. Since he was really concerned about the welfare of his 500 slaves, he embarked on two journeys to the West Indies. On the second of these trips, he developed yellow fever and passed away while at sea. When writing The Monk, which he did at the age of 19, Lewis was inspired not just by Ann Radcliffe, the most prominent Gothic author, but also by more powerful current German Gothic literature. Its focus on horror rather than romance, as well as its brutality and sexuality, contributed to the book’s popularity, despite the fact that it was generally reviled.
Its popularity was followed by a successful musical play in the same genre, The Castle Specter (performed in 1797; published in 1798), which was created by the writer Richard Brinsley Sheridan. [T]he Castle Specter [was] in the same vein as the previous musical drama. The second enduring work by Lewis was a victory of a quite different sort; it was called the Journal of a West India Proprietor and it was published in 1834. This book attests to Lewis’s compassionate and liberal beliefs. An English actor named Matthew David Lewis III is most recognized for his role as Neville Longbottom in the Harry Potter film series.
Lewis is the son of Adrian and Lynda Lewis and was born in Horsforth, which is located in Leeds, West Yorkshire, England. He also has a foster sister in addition to his two elder brothers. Since he was five years old, Lewis has been performing in plays. He first began his career with little roles in television shows, making his debut in the episode Some Kind of Life. After that, he went on to audition for the role of Neville Longbottom. He has played the role of Neville Longbottom in all six of the previous Harry Potter films, and he is slated to appear in the next Harry Potter movies as well.
Lewis wears fake teeth that are yellow and crooked, shoes that are two sizes too large, and plastic parts inserted behind his ears so that they protrude out further in order to play the character of Neville Longbottom in the Harry Potter film series. This is done to give the figure a more clownish appearance, and it has been successful. Matthew Gregory Lewis was born on July 9, 1775, and passed away on May 16, 1818. He was educated at Westminster School and Christ Church College in Oxford, and he received his Bachelor of Arts degree in 1769 and his Master of Arts degree in 1772. Matthew Gregory Lewis began his education at a university on April 27, 1790, when he was 15 years old.
Within four miles of Savanna-la-Mer, or Savanna-la-Mar, which was struck by a devastating earthquake and hurricane in 1779, the novelist’s wealthy and influential father, Matthew Lewis, Senior, who served as England’s Deputy Secretary at War, owned considerable property in Jamaica. Matthew Lewis, the Senior, was also England’s Deputy Secretary at War. The inheritance of this priceless property was finally given to his son. The Cornwall estate was located in Westmoreland Parish, while the Hordley estate was located in Saint Thomas Parish. Lewis was the owner of both of these properties in Jamaica.
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Lewis acquired the shares of George Scott and Matthew Henry Scott, who were co-owners of Hordley’s slaves, in the year 1817. This gave Lewis sole possession of more than 500 slaves. Lewis draws inspiration for several of his works from his upbringing in the West Indies. Lewis came to Jamaica on January 1, 1816, with the intention of investigating the conditions of the slaves who worked on the properties he had inherited there. In the August of the same year, he travelled to Geneva to meet with Lord Byron and Percy Bysshe Shelley, where he read Lord Byron an oral translation of Faust by Goethe.
After spending the following fourteen months seeing Italy, he set off for Jamaica in 1815 and arrived there in November 1817. In Jamaica, he remained for the next three years. On May 16, 1818, while travelling from the West Indies back to England, he passed away from yellow fever that he had received in the West Indies and was buried at sea. The refreshing and precise realism that can be found in Lewis’s Journal of a West Indian Proprietor is not evident in his Gothic writings, which were published long after the author’s passing.
Lewis had studied classical languages at Oxford, and before that, he had been steeped in French at his London grammar school, Marylebone Seminary, under the instruction of the Reverend Dr John Fountaine. Lewis’s parents had hoped that he would pursue a career in diplomacy. After graduating from the university, he moved to another country to become fluent in French and German. His time spent at Weimar between 1792 and 1793, during which he was exposed to the writings of German Romantics, proved to be the most formative era of his life. While he was there, he also acquired the acquaintance of Johann Wolfgang von Goethe and translated the poem “Oberon” by Wieland.
Then, as a result of the influence of his father, Lewis was able to get the diplomatic position of attaché at the British embassy in The Hague, where he resided from May until December 1794. Lewis’s mother had always encouraged her son to become a professional writer, and ever since the age of fourteen, he had routinely been scribbling novels and plays. In 1791, the boy’s father had left the family for good, and Lewis’s mother had always encouraged her son to become a professional writer. After some time had passed, he started writing seriously. In spite of the fact that he spent his leisure time in the pleasant company of French nobles who had fled the Revolution, he found Dutch society to be generally uninteresting after being exposed to the vibrant intellectual milieu of Weimar.
Lewis completed his first novel, Ambrosio, or The Monk, in 1795 after devoting himself to the writing process and publishing it anonymously in the summer of 1796. Ambrosio was Lewis’s first book. The poem received acclaim from both Lord Byron and the Marquis de Sade, who both contributed to English Bards and Scotch Reviewers. Samuel Taylor Coleridge, in his review for the Critical Review, called the best-selling work profane and vulgar. Samuel Taylor Coleridge wrote the review. Between the years 1797 and 1806, he made use of his proficiency in German by publishing two German romances as well as translations of two plays, the most significant of which was Friedrich von Schiller’s play Kabale und Liebe.
(1)Full Name: Matthew lewis
(2)Born: 27 June 1989 (age 33 years)
(3)Father: Adrian Lewis
(4)Mother: Lynda Lewis
(5)Brother: Chris Lewis, Anthony Lewis
(6)Spouse: Angela Jones (m. 2018)
(7)Occupation: English actor
(8)Famous As: English actor
(9)Birth Sign: Cancer
(11)Height: 1.83 m
(13)School: St. Mary’s Menston Catholic Voluntary Academy
(16)Hometown: Leeds, United Kingdom
(17)Address: Leeds, United Kingdom
(18)Hobbies: Gymiest, Travelling
(19)Contact Number: NA
(20)Email ID: NA
In the year 1801, he published a collection of sixty literary ballads under the title Tales of Wonder. These ballads are similar to the work of Samuel Taylor Coleridge in that they make use of the supernatural. Nine of these ballads were written by Lewis himself, and the other five were written by Sir Walter Scott. Twelve Ballads features some of the finest examples of the numerous songs that he penned for his plays (1808). The collection of lyrics known as Poems is the author’s last work to be released during his lifetime (1812). After his father passed away in 1812, Lewis received a substantial income, which led to his virtually stopping the publication of his works.
Lewis was a member of the House of Commons from 1796 to 1802 and served without distinction throughout that time. As a result of this, he prominently placed the letters “M. P.” on the title pages of the books that he produced during that time. Between the years 1796 and 1812, he saw the publication or production in the London theatre of eighteen of his remarkable plays. The Castle Spectre was his first produced Gothic play, and it went on to become his most successful. It follows the same formula as his books, with ghosts and murders taking place in a suitably creepy castle.
Such boisterous plays had a tremendous attraction for the predominant popular taste during the Regency, and as melodramas, they “provided the enormous potential for good acting and magnificent staging complemented by accompanying music.” [Citation needed] (Hartnoll, 305). “a splendid combat scene exceeded all that ever had been witnessed of the kind” and “the new performers (the horses) displayed wonderful ability” in the “grand Romantic Melo Drama” Timour the Tartar, which was concocted by M. G. Lewis and staged at Kemble’s Covent Garden in 1811, respectively. Timour the Tartar was produced by M. G. Lewis. [Frederick and Lise-Lone Marker, “Actors and Their Repertory — ‘The Kemble Religion’: 1776-1812, 110] [Translation of original]
Lewis was always looking for ways to make a grand impression, such as when he staged the Tartar play with a whole cavalry unit complete with horses and riders. The costume-drama “The Castle Spectre” had sixty performances during its debut season in London in 1797, and it was repeatedly reproduced throughout the first half of the nineteenth century, with substantial theatrical apparatus: “slide panels, spectres, moving suits of armour, and a misanthropic slave” (Davies, “Playwrights and Plays, 1790-1800,” p. 187).
Lewis even included Black attendants for his villain, despite the fact that the action takes place on the shores of Wales. He mentioned this inclusion in a casual manner in the preface he wrote for the published version of the book, saying, “I thought it would give a pleasing variety to the characters and dresses” (cited in Davies). Raymond and Agnes were first performed at Covent Garden in 1797, and it was revived in 1809. Lewis demonstrates a comprehensive understanding of popular taste in this play, as he does throughout all of his plays. Lewis serves as an excellent barometer throughout all of his plays, marking the extreme rather than the median of public taste. Despite the fact that the names of the characters have some Spanish flavour to them, the setting is that of a Gothic romance.
Agnes, daughter of the Bleeding Nun, disguises herself as that apparition in order to flee from Lindenberg Castle. However, the real Bleeding Nun deceives her lover, Raymond, and then reappears to bestow a spectre’s blessing on Raymond and Agnes after Raymond saves Agnes from the bandits. Agnes is the daughter of the Bleeding Nun. There is play with drugged wine, a great deal of wrath that cannot be explained, and Lewis’s normal profuse but foolish use of the equipment of Catholicism for dramatic effect. It is a measurement of what the general population is willing to accept.
Even though his plays haven’t been performed much since the nineteenth century, they helped establish him as Regency London’s preeminent playwright when they were first performed. However, during the course of the twentieth century, a number of movies have been adapted from The Monk. For instance, Paul McGann was the lead character in the version of the story that was adapted to cinema in 1990 and directed by Francisco Lara Polop. The graphic book Batman: Gothic, which was published by DC Comics in 1990 and co-written by Grant Morrison and Klaus Janson, owes a great deal to the novel Don Giovanni and borrows aspects from it.
Vincent Cassel, Deborah Francois, Geraldine Chaplin, and Sergi López participated in yet another film adaptation that was released in 2011. This one was directed by the Franco-German filmmaker Dominik Moll and was filmed in Madrid. Benji Sperring was the director of an unusual stage production that was shown at the Baron’s Court Theatre in London from the 16th of October to the 3rd of November in 2012.