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Not long after “Borderline” became Madonna’s first Top Ten success in 1984, she went on to alter the course of popular music in a significant way. The song was a surprise and sounded new since it combined post-disco dancing with bubbly pop; this was a technique that would soon become her hallmark. Madonna is credited with bringing sounds from the underground into the mainstream throughout her career spanning many decades. She is known for specializing in trends that were developing in dance clubs at the time.
She came at the beginning of the MTV period and immediately began exploring the potential of music videos. She produced a series of seductive and sophisticated clips that not only established the network as the stronghold for hip culture in the 1980s but also earned her a reputation as a provocateur. Madonna is credited with recording many of the pop anthems that defined that decade, including “Like a Virgin,” “Material Girl,” “Live to Tell,” “Papa Don’t Preach,” “Open Your Heart,” “Like a Prayer,” and “Express Yourself.” In doing so, she created the archetype of a modern pop star: one whose music was inextricably tied to its visual representation and one who loathed trading upon past glories.
She ventured into contemporary R&B for her album Bedtime Stories (1994) and into electronica for her album Ray of Light (1998) as Madonna began the second decade of her career as a pop superstar and continued to take creative chances. Connections that were as evident on albums such as 2019’s Madame X as they were on retrospectives like Finally Enough Love, a 2022 chronicle of her dance club hits, helped put Madonna’s entire body of work into perspective, highlighting the common threads and consistency that run throughout her music. Madonna continued to be driven by that restless artistic spirit throughout the 2000s and 2010s, a move that helped put her entire body of work into perspective.
In 1977, she uprooted her life and travelled from her home state of Michigan to the Big Apple with the intention of pursuing a career in ballet. She also worked as a model while she was learning dance from Alvin Ailey. 1979 saw her join the Patrick Hernandez Revue, a dance band well known for their song “Born to Be Alive,” for which they were also responsible. She went to Paris with Hernandez, and while she was there, she met Dan Gilroy, who would later become her lover. She flew to Paris with Hernandez. After getting back to New York, the two of them decided to start a pop/dance group called the Breakfast Club.
When Madonna first joined the band, she was the drummer, but she quickly transitioned into the role of lead vocalist. 1980 was the year that she decided to leave the band to establish Emmy with her ex-boyfriend, the drummer Stephen Bray. Soon after, Bray and Madonna parted ways with the group and started collaborating on songs that were more dance and disco-focused. Mark Kamins, a DJ, and producer living in New York were given a demo cassette of these tracks at some point. The vocalist was signed to Sire Records in 1982 when Kamins sent a cassette of his demo to the label.
Madonna’s debut song, “Everybody,” was produced by Kamins, and it was a club and dance smash toward the end of 1982. Madonna’s second track, “Physical Attraction,” was also a club hit, and it was released in 1983. She scored her third club success in June of 1983 with the effervescent song “Holiday,” which was produced by Jellybean Benitez. The song was created by Jellybean Benitez. In September of 1983, Madonna released her first album, which was simply named Madonna. The song “Holiday” became her first single to reach the Top 40 the following month. In March of 1984, “Borderline” became her first Top Ten success, establishing a remarkable record of 17 consecutive Top Ten songs throughout the course of her career.
While “Lucky Star” was making its way up the charts to number four, she started working on her first leading part in a feature film, which was going to be in Susan Seidelman’s Desperately Seeking Susan. At the tail end of 1984, Madonna released her second studio album, titled “Like a Virgin,” which was produced by Nile Rodgers. It was the beginning of a hectic year for the artist when the title single reached number one on the charts in December and remained there for six weeks; the song was the centrepiece of the album.
Madonna rose to fame on a global scale in 1985, becoming an icon in the process and selling millions of albums thanks to her seductive performances, provocative music videos, and commanding demeanour. Following the success of “Material Girl,” which peaked at number two on the charts in March, Madonna embarked on her very first tour with the Beastie Boys as her opening act. In the month of May, she achieved her second number-one hit with “Crazy for You.” It was released in July and became a movie office smash; it also sparked a planned DVD release of A Certain Sacrifice, a low-budget sexual drama she made in 1979. Desperately Seeking Susan was released in July and became a box-office blockbuster.
Both Playboy and Penthouse released nude images of Madonna that she’d posed for in 1977. A Certain Sacrifice was not the only humiliating skeleton in the closet that was pulled into the light during the summer of 1985 — both magazines published nude photos of Madonna. Despite this, her popularity never waned, and hundreds of young women began imitating her sensual style, earning them the nickname “Madonna wants tobes.” She tied the knot with actor Sean Penn in the month of August.
Madonna Contact Information
Here you can find her contact data, including her fan mail address, address details, email id, residential address, house address, place of birth, phone number, contact number, email id, physical address, booking agent data, and manager/secretary contact information.
Fan Mail Address:
Warm Seas House
23 Wellington Road
London, NW8 9SL
Warm Seas House
23 Wellington Road
London, NW8 9SL
At the beginning of 1986, Madonna started working with Patrick Leonard. Leonard would go on to co-write the majority of Madonna’s greatest successes throughout the ’80s, including “Live to Tell,” which topped the charts in June of the same year. True Blue was released the following month, to both more massive commercial success (it was number one in both the United States and the United Kingdom, selling over five million copies in the United States alone), and critical acclaim. It was a record that was both more ambitious and accomplished than her two previous albums. It was her fourth number-one hit in the United States, and it was “Papa Don’t Preach.”
Her film career was in shambles after the release of Shanghai Surprise in November, but her musical career was going from strength to strength at the time. The comedy, which starred Madonna and Penn, was met with widespread critical acclaim that was uniformly negative, and it subsequently underperformed at the box office. With the release of “Open Your Heart” at the beginning of 1987, she achieved her fifth number-one single, which was also the third number-one from her album True Blue alone. Even though her third feature film, Who’s That Girl? was not a financial success at the box office, the film’s title single from the soundtrack was yet another chart-topping smash for the singer.
Due to her participation in the Broadway production of David Mamet’s Speed the Plow during the first half of the year 1988, Madonna’s life was quite unremarkable throughout that year. In the meanwhile, she came out with a remix album titled You Can Dance. She initiated the divorce proceedings against Penn at the beginning of 1989, after which she withdrew the divorce papers she had first submitted at the beginning of 1988. Like a Prayer, which was released in the spring of 1989, was her most ambitious and all-encompassing album to that point. It included elements of dance, rock, and pop music.
It was another number-one smash and spawned the number-one title track as well as the number-one “Express Yourself,” the number-one “Cherish,” and the number-one “Keep It Together,” three additional singles that made the Top Ten. She kicked up her enormous Blonde Ambition tour in April of 1990, and it lasted for the whole of that calendar year. It was her most successful film performance since Desperately Seeking Susan, and “Vogue” became a number-one hit in May, which helped set the ground for her co-starring part in Warren Beatty’s Dick Tracy. At the close of the year, Madonna released an album called The Immaculate Collection, which included her best hits.
It featured two new songs, one of which was the number one single “Justify My Love,” which sparked another controversy with its sexy video; the second new song, “Rescue Me,” became the highest-debuting single by a female artist in the history of the U.S. chart, entering the charts at number 15; it was the first time that a female artist had achieved this distinction. In the spring of 1991, the documentary Truth or Dare, which chronicled the Blonde Ambition tour, was made available to audiences and was met with favourable reviews and robust ticket sales.
In the summer of 1992, Madonna made her comeback to the music charts with the single “This Used to Be My Playground,” which went to number one. The song was included in the movie A League of Their Own, in which the singer had a brief role. Later on in that year, Madonna published Sex, a pricey pornographic book with a steel binding and a soft core that featured hundreds of erotic photographs of Madonna as well as several models and other celebrities, such as Isabella Rossellini, Big Daddy Kane, Naomi Campbell, and Vanilla Ice, in addition to selected prose. Sex was a soft-core pornographic book. Even though the accompanying album, Erotica, was met with terrible reviews and an overwhelming amount of negative attention, it nevertheless managed to sell over two million copies despite the backlash.
Bedtime Stories, which was published two years after Erotica, was an event that was more muted than the former. The album was responsible for her greatest success, “Take a Bow,” which was number one for a total of seven weeks. However, when it was first released, it did not do as well on the charts, which led some reviewers to classify her as a has-been. Also included on the album was Bjork’s original composition “Bedtime Stories,” which was her first single to fail to hit the Top 40. The song that followed “Bedtime Stories,” “Human Nature,” also failed to make the Top 40. Despite this, Bedtime Stories was certified multi-platinum, making it her eighth studio album overall.
When Madonna started auditioning for the lead role of Evita in the film version of Andrew Lloyd Webber’s musical in 1995, she was already well on her way to undergoing one of the most understated images makeovers of her career. Madonna rebuilt herself as an upmarket sophisticate in an effort to distance herself from the overt sensuality that was seen in Erotica and Bedtime Stories. The collection Something to Remember fits in rather perfectly with this concept. The album, which was released in the autumn of 1995, about the same time that she won the coveted part of Evita Peron, consisted solely of ballads and was meant to appeal to the older audience that would also be the target audience for Evita.
(1)Full Name: Madonna
(2)Born: 16 August 1958 (age 64 years)
(3)Father: Silvio Ciccone
(4)Mother: Madonna Louise Ciccone
(6)Spouse: Guy Ritchie (m. 2000–2008), Sean Penn (m. 1985–1989)
(7)Occupation: American singer-songwriter
(8)Famous As: American singer-songwriter
(9)Birth Sign: Leo
(11)Height: 1.64 m
(12)Religion: Roman tradition
(15)Educational Qualifications: NA
(16)Hometown: Bay City, Michigan, United States
(17)Address: Bay City, Michigan, United States
(19)Contact Number: NA
(20)Email ID: NA
During the last stages of production, Madonna revealed that she was expecting a child, and Lourdes Madonna was born in the fall of 1996, just around the time when Evita was about to be released. The film was met with favourable reviews in general, and Madonna launched a campaign in the hopes of being nominated for an Academy Award. The campaign was successful, and she was awarded the Golden Globe for Best Actress in a Musical or Comedy, but she was not nominated for the more prestigious Academy Award. Both the dance remix of “Don’t Cry for Me Argentina” and the newly composed “You Must Love Me” were successes after being included on the soundtrack for the movie Evita, which was a moderate success.
1997 saw the release of her first album of new material since the release of Bedtime Stories in 1994, which was produced in collaboration with William Orbit. Ray of Light, the album that resulted from all of this, was significantly inspired by electronica, techno, and trip-hop, which allowed her to modernize the sound of her iconic dance-pop for the late 1990s. When it was first released in March of 1998, Ray of Light was met with universally laudatory reviews, and it made its chart debut at position number two. Within a month, it became clear that the record had the potential to become her most successful album since Like a Prayer.
After that, she released an album called Music two years later. On this album, she collaborated once again with Orbit, and it also contained production work from Mark “Spike” Stent and Mirwais, a French electropop producer and musician in the spirit of Daft Punk and Air. The year 2000 was also the year that Madonna gave birth to her second child, Rocco, whom she had with director Guy Ritchie. Madonna and Guy Ritchie tied the knot at the very end of the same year. The remake of the film Swept Away which Ritchie and Madonna worked on together and released in 2002 did not perform well with critics or at the box office. Ritchie served as the film’s director, while Madonna was the film’s star.
Although her sober album from 2003, American Life, started at number one on the Billboard charts, it did not yield any big songs in the United States. On the other hand, it did spawn two successful singles in the United Kingdom, “Nothing Fails” and “Love Profusion.” In addition, the same year saw the publication of Madonna’s bestselling children’s book, The English Roses, which was later followed by a number of further books published in subsequent years. Her return to music, more especially to the dance-oriented material that had made her a success, was marked with the release of the album Confessions on a Dance Floor.
I’m Going to Tell You a Secret is a CD/DVD compilation that was made during her Re-Invention Tour and was released in the same year that the album, which had been released in late 2005 and topped the Billboard 200 chart, was released. The album was accompanied by a worldwide tour that took place in 2006. In 2007, Madonna published another CD/DVD collection titled The Confessions Tour, which chronicled her tour of the same name. This time, the tour was called “Confessions.” With the release of her album Hard Candy in 2008, which included collaborations with the Neptunes and Timbaland, she moved closer to the end of her contract with Warner Bros.
The daring album was not well received, but it did produce a Top Five hit in the form of “4 Minutes,” and it was supported by the Sticky & Sweet Tour, which came to an end in September 2009 (one month before she filed for divorce from Ritchie), and it produced yet another CD/DVD package, which was made available in 2010. It was her last release with Warner Bros., and it helped pave the way for a long-term recording agreement she later signed with Live Nation. Madonna started working on her 12th album in the middle of 2011, with the intention of releasing it at the beginning of the following year (2012).
The second full-length album, titled MDNA, contained production by the French electronic artist and DJ Martin Solveig, as well as production from the longstanding partner Orbit. Following Madonna’s performance at the 2012 Super Bowl halftime show, the title of the album, which is an acronym of her name, was revealed. MDNA made its debut at number one all over the globe, including in the United States and the United Kingdom. The album was preceded by the Top Ten song “Give Me All Your Luvin’,” which featured Nicki Minaj and M.I.A. The remainder of the year was taken up with her MDNA Tour performances, during which she travelled to many locations throughout the globe, including Europe, the Middle East, North America, and South America.
In September 2013, she released both a concert special that she had taped as well as a live CD titled MDNA World Tour. Madonna made the announcement that she will be commencing production on her thirteenth studio album at the beginning of 2014. She documented the process on social media and disclosed that she had recorded sessions with artists such as Avicii, Diplo, and Kanye West among others. Because of a leak that occurred around the end of 2014 recording sessions, Madonna was compelled to release a digital teaser EP before the end of the year.
The complete version of Rebel Heart was made available to the public in March of 2015, and the album reached number two on the charts in both the United States and the United Kingdom. She embarked on a tour in the fall of 2015 and continued it into the spring of 2016, performing at over 75 different venues across North America, Europe, and Asia. Beginning in April 2019, Madonna started releasing songs in anticipation of the release of her 14th studio album, Madame X, in June. The first of these tracks was “Medelln,” a duet with the Colombian reggaeton artist Maluma. The album includes collaborations with guest artists like the Brazilian singer Anitta and the rappers Swae Lee and Quavo. Co-production for the album was handled by Mirwais, Mike Dean, Diplo, and Jason Evigan, and the album was also contributed to by Jason Evigan.
After its release on June 14, 2019, Madame X opened at number one in the United States and number two in the United Kingdom. The album was responsible for four songs that reached number one on the Billboard Dance Club chart: “Medellin,” “Crave,” “I Rise,” and “I Don’t Search I Find.” Finally Enough Love: 50 Number Ones is a compilation that was released in 2022 and featured nearly all of Madonna’s chart-topping dance singles. This compilation chronicled Madonna’s remarkable four-decade run at the top of the Dance Club charts and was a celebration of her accomplishment. Finally, Enough Love was the first album to be issued as part of a potential reissue program that was initiated by Warner in 2022 to commemorate the recording artist’s fortieth year in the music industry. This catalogue series was released at the same time that Madonna was working on a biopic chronicling her own career, which was a film she intended to direct herself.