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George Lucas, a native Californian, is a renowned DP, writer, producer, and entrepreneur. His financial success has earned him a reputation as one of America’s top film directors. But he had no interest in becoming a filmmaker when he was a young man.
It’s fascinating to learn that this talented filmmaker dreamed of becoming a race car driver. After a near-catastrophic accident, he decided to change careers and pursue filmmaking instead. On graduating from USC’s School of Cinematic Arts, he went on to direct a number of student shorts. Award-winning short film Electronic Labyrinth: THX-1138 4EB was his submission to the “National Student Film Festival.” Afterwards, he became a Hollywood director responsible for blockbuster films. He conceived the ‘Star Wars film franchise, which he directed and produced over the course of six instalments and which earned over $5 billion globally.
He created “Indiana Jones” as a recognizable figure to go along with the films. In addition, he started the film and TV production business Lucasfilm, which he later sold to The Walt Disney Company. Alongside his career as a director, George Lucas established the George Lucas Educational Foundation. He was raised in the town of Modesto, California. Since he was a little boy, he’s had an intense interest in speed and automobiles. All of his later works reflected this trend.
He spent much of his time in school racing in underground circuits and competing in races. His dreams of becoming a professional race car driver were nearly cut short in an automobile crash that occurred on June 12, 1962. He attended a local college after graduating from high school, where he majored in a mix of anthropology, sociology, and literature. It was during his time at university that he developed an interest in cinema.
He then attended the “University of Southern California School of Cinematic Arts,” from where he earned a bachelor of fine arts in film studies with high honours in 1967. His application to the “United States Air Force” was turned down due to his record of speeding tickets. The film “Look at Life” is just one of several works he produced while a student at the Southern California School of Cinematic Arts. In addition, there are “Herbie,” “Freiheit,” and “1:42.08.”
In 1967, he produced and directed the short science fiction film “Electronic Labyrinth: THX-1138 4EB.” It premiered at the National Student Film Festival, where it won the grand prize. In 1973, he directed and co-wrote the coming-of-age film American Graffiti. Critics praised the film, and it was even nominated for an “Academy Award.”
In 1977, he penned and directed the American epic space opera “Star Wars Episode IV: A New Hope.” After that, he worked on the “Star Wars Holiday Special” as both an executive producer and co-creator. In addition, he could put pen to paper. He produced and co-wrote the comedy-drama film More American Graffiti (1979). Soon after, he joined the production teams for both “Kagemusha” and “Star Wars Episode V: The Empire Strikes Back” as an executive producer.
He co-wrote and produced the 1981 fantasy adventure film Raiders of the Lost Ark, starring Harrison Ford as Indiana Jones. He was an executive producer on “Body Heat,” but his work there was overlooked. In 1983, he collaborated on the writing for “Star Wars Episode VI: Return of the Jedi,” the third instalment in the “Star Wars” film series.
He wrote the script for the 1984 fantasy adventure film Indiana Jones and the Temple of Doom, directed by Steven Spielberg. He also wrote the story for the TV show “The Ewok Adventure,” which aired that year. The films “Latino” and “Mishima: A Life in Four Chapters” both had him on board as an executive producer. He also directed the films Ewoks and Ewoks: The Battle for Endor in the same year as Star Wars Droids: The Adventures of R2-D2 and C-3PO.
The 1989 film “Indiana Jones and the Last Crusade,” which he co-wrote and produced with Steven Spielberg, is a notable example of their collaboration. With this film, the “Indiana Jones” film series has reached its third instalment. His 1992 ABC series The Young Indiana Jones Chronicles starred a young Harrison Ford as the famed archaeologist. His film “Radioland Murders,” which he co-wrote and produced, came out the following year.
The American space opera “Star Wars Episode I: The Phantom Menace,” which he wrote and directed in 1999, is widely considered one of his finest works. There had been four previous films in the “Star Wars” franchise, and this one was the fourth.
Star Wars Episode III: Revenge of the Sith, the sixth film in the franchise, was written and directed by him in 2005. There was a massive financial success for the film. He collaborated on the writing for 2008’s “Indiana Jones and the Kingdom of the Crystal Skull,” the fourth film in the “Indiana Jones” franchise. The same year he worked on that, ‘Star Wars: The Clone Wars’ premiered.
He was the executive producer of the 2012 American war film Red Tails. At the same time, he announced that same year that he would no longer direct studio films in favour of smaller-budgeted films.
George Lucas Contact Information
Here you can find his contact data, including his fan mail address, address details, email id, residential address, house address, place of birth, phone number, contact number, email id, physical address, booking agent data, and manager/secretary contact information.
Fan Mail Address:
5858 Lucas Valley Rd.
Nicasio, CA 94946
5858 Lucas Valley Rd.
Nicasio, CA 94946
Upon emerging from his temporary retirement, he wrote the screenplay and served as executive producer for the computer-animated musical fantasy film Strange Magic. He worked on the “Star Wars” sequel trilogy after “The Last Jedi,” which was his last film to be released until “The Rise of Skywalker” (2019). George Lucas is an Oscar-winning American filmmaker, producer, and screenwriter. His films include the cult classics Star Wars and The Phantom Menace.
Lucas was well-versed in many fields because he read widely as a child, including famous adventure tales like Robinson Crusoe by Daniel Defoe and Treasure Island by Robert Louis Stevenson, as well as comic comics and avidly studied history. Because of a near-fatal accident when he was 18 years old, he gave up motor racing, which he had loved doing since he was a kid.
Haskell Wexler, a cinematographer, is responsible for Lucas’s interest in the film industry. Located in Los Angeles, Lucas earned a bachelor’s degree in film from the University of Southern California in 1966. While there, fellow filmmaker and classmate John Milius exposed Lucas to the films of the Japanese auteur Akira Kurosawa.
Lucas’s future projects would be profoundly influenced by Kurosawa Akira. Among Lucas’ many highly respected student films is the futuristic fantasy Electronic Labyrinth THX 1138 4EB, which earned the top prize at the National Student Film Festival that same year. He spent six months in 1967 at Warner Brothers working on Finian’s Rainbow with Francis Ford Coppola.
(1)Full Name: George Walton Lucas Jr.
(2)Born: May 14, 1944
(3)Father: George Walton Lucas Sr.
(4)Mother: Dorothy Ellinore Bomberger
(6)Spouse: Mellody Hobson (m. 2013), Marcia Lucas (m. 1969–1983)
(7)Occupation: Actor, Filmmaker, Entrepreneur
(8)Famous As an Actor, Filmmaker, Entrepreneur
(9)Birth Sign: Taurus
(11)Height: 5 feet 7 inches
(13)School: Thomas Downey High School, Roosevelt Junior High School
(14)College/University: University of Southern California (USC) School of Cinematic Arts
(15)Educational Qualifications: Graduate
(16)Hometown: Modesto, California, United States
(17)Address: Modesto, California, United States
(19)Contact Number: (415) 662-1800
(20)Email ID: firstname.lastname@example.org
Thereafter, he filmed a “Making of” documentary on Coppola’s The Rain People (1969). In addition, Lucas shot photographs of the deadly Rolling Stones concert at the Altamont Festival in 1969 for Albert and David Maysles and Charlotte Zwerin’s documentary Gimme Shelter, released in 1970.
After Lucas signed with Warner Brothers-Seven Arts, Coppola gave him the go-light to adapt his winning student short into a full-length feature film, which he accomplished with Robert Duvall and Maggie McOmie in the starring roles. Although THX 1138 (1971) did well at the box office, neither audiences nor critics became particularly enthusiastic about the film due to its obvious tribute to George Orwell’s classic Nineteen Eighty-four and unnecessarily plodding pace. Coppola’s American Zoetrope studio made a number of groundbreaking films, including The Godfather Parts II and III.
In 1971, George Lucas founded Lucasfilm Ltd., a production company that would grow to house multiple divisions, notably Industrial Light & Magic (ILM), widely regarded as the best special effects facility in Hollywood. American Graffiti (1973), his second feature, was well-received since it took him back to his roots as a hot-rod enthusiast from Modesto, California.
The success of American Graffiti allowed Lucas to finance a passion project. Until movies like “2001: A Space Odyssey” and “Planet of the Apes” changed the public’s perception of science fiction, the genre had a poor track record at the box office. However, in Star Wars (1977), which Lucas not only directed but also wrote, he rejected the high-tech dystopian metaphor then prevalent in science fiction films in favour of a space opera synthesized with old Hollywood swashbucklers and frontier adventures.
In this space opera set in a “long, long ago” galaxy, Luke Skywalker (Mark Hamill) is thrust into the middle of a galactic struggle between an oppressive government and rebel forces. Obi-Wan Kenobi, Luke’s master and a wise Jedi Knight played by Sir Alec Guinness, and Han Solo, a smuggler who sees an opportunity to make a quick buck, team up with Luke Skywalker to rescue Princess Leia (Carrie Fisher) from the Death Star (Ford).
Darth Vader, whose terrifying voice was dubbed by James Earl Jones, is in charge of the Death Star. Luke Skywalker’s aspirations to become a member of the Jedi Order, a group of good or evil fighters who use Force to maintain a balance between good and evil, serve as the film’s central conflict.