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Adrienne Jo Barbeau is a television, film, character, and musical theatre actor from the United States, as well as the author of two recent novels.
Barbeau rose to fame in the 1970s as the original Rizzo in the Broadway musical Grease, as Bea Arthur’s divorced daughter Carol Trainer in the classic comedy Maude, and in a number of early 1980s horror and science fiction films.
Her most prominent cinematic work includes The Fog, Creepshow, Swamp Thing, and Escape from New York, and she was a renowned sex symbol during that period. Barbeau rose to prominence in the 1990s as Catwoman’s seductive voice on Batman: The Animated Series and following Batman animated series. Most recently, he is known for his role in the critically praised HBO series Carnivàle.
Barbeau was born in Sacramento, California, to Arman and Joseph Barbeau, who worked for Mobil Oil as a public relations officer. Barbeau was born to a French-Canadian father and an Armenian-American mother.
In San Jose, California, she attended Del Mar High School. Barbeau claims in her memoirs that she initially became interested in show business while entertaining soldiers at army posts around Southeast Asia with the San Jose Civic Light Opera.
Adrienne Barbeau Contact Information
Here you can find her contact data, including her fan mail address, address details, email id, residential address, house address, place of birth, phone number, contact number, e – mail id, physical address, booking agent data, manager/secretary contact information.
Fan Mail Address:
Arlene Thornton Agency
12711 Ventura Blvd.
Studio City, CA 91604-2477
Arlene Thornton Agency
12711 Ventura Blvd.
Studio City, CA 91604-2477
Adrienne Jo Barbeau is an American actress and novelist best known for her work in horror films, particularly those directed by John Carpenter, with whom she was formerly married. She was born in Sacramento, California, on June 11, 1945, the daughter of a Mobil Oil Company executive.
From January 1, 1979, through January 1, 1984, Barbeau was married to filmmaker John Carpenter. On the set of his 1978 TV movie, Someone’s Watching Me!, the two met.
Shortly before they divorced, the couple welcomed a son, John Cody (born May 7, 1984). The pair stayed “completely outside of Hollywood’s social circles” during their marriage.
Barbeau married Billy Van Zandt, an actor, writer, and producer, on December 31, 1992. Barbeau was cast in the west coast premiere of his play Drop Dead! in 1991, and the two became friends. Steven Van Zandt, a musician and actor, has a brother named Billy.
At the age of 51, she gave birth to twin boys, Walker Steven and William Dalton Van Zandt, on March 17, 1997, claiming to be the only AARP member in the maternity unit.
(1)Full Name: Adrienne Jo Barbeau
(2)Born: 11 June 1945
(3)Father: Joseph Barbeau
(4)Mother: Armene Nalbandian
(5)Sibling: Robert Barbeau and Jocelyn Barbeau
(6)Spouse: Billy Van Zandt
(7)Occupation: Actress, Singer and Author
(8)Famous As: Actress, Singer and Author
(9)Birth Sign: Gemini
(11)Height: 5 feet 3½ inches
(12)Religion: Not Available
(13)School: Del Mar High School
(14)College/University: Foothill College
(15)Educational Qualifications: Graduated
(16)Hometown: Sacramento, California, United States
(17)Address: Sacramento, California, United States
(19)Contact Number: (818) 760-6688
(20)Email ID: Not Available
Barbeau travelled to New York City in the late 1960s and worked “for the mafia” as a go-go dancer, as well as acting Off-Broadway in the “nudie musical” Stag Movie, before making her Broadway debut in
Fiddler on the Roof as Tevye’s daughter Hodel opposite Bette Midler. Adrienne has subsequently been in over 25 musicals and plays, including Women Behind Bars, The Best Little Whorehouse in Texas, and, of course, Grease as tough girl Rizzo, for which she won a Theater Guild Award and was nominated for a Tony Award in 1972.
Barbeau featured in the comedy series Maude, which aired from 1972 to 1978, as the daughter of Bea Arthur’s titular character.
There Are Worse Things I Could Do, she said in her autobiography: “What I didn’t realise was that no one was paying attention to me when I mentioned I was generally going down a flight of stairs. They were just looking at my breasts as I walked away.”
Barbeau appeared in The Love Boat, Fantasy Island, Valentine Magic on Love Island, and Battle of the Network Stars, among other films and television series. She said in her autobiography: “I was under the impression that CBS chose me for Battle of the Network Stars because I was sporty. My spouse let me in on the secret: it didn’t matter whether I won the race as long as I bounced while I raced.”
Barbeau’s prominence as a sex symbol was cemented by the success of her 1978 cheesecake poster. Barbeau’s success derived in part from her “two great skills on that lady,” as reviewer Joe Bob Briggs put it, and her stereotype as a “tough broad.”
Although photos from an early nude session (in which she posed topless) appeared in High Society in July 1980, Barbeau declined requests to go topless in Playboy. She has also performed topless in various Off-Broadway productions (early in her career) and many films.
Despite her early popularity, she described Hollywood as a “meat market” and said that she preferred to star in films that “examine the human condition” and “deal with themes.”
Barbeau had her debut appearance in a theatrical film when she was cast by her then-husband, director John Carpenter, in his 1980 horror picture The Fog. The picture was a box office hit, earning over $21 million in the United States alone, and established Barbeau as a genre cinema star.
She went on to star in a series of early 1980s horror and science fiction films, including Escape from New York (also directed by Carpenter), Creepshow, and Swamp Thing, all of which have now become cult classics.
She also starred as the shrewish wife of Rodney Dangerfield in the high-grossing Burt Reynolds comedy The Cannonball Run in 1981. (1986).
Barbeau spent the rest of the 1980s largely in low-budget films like the parody Cannibal Women in the Avocado Jungle of Death. Tomes & Talismans, a library skills series presented as a serialised science fiction narrative, featured her in 1986.
Barbeau continues to branch out into other areas, such as a one-woman Off-Broadway performance, presenting a talk show, and producing a folk CD.
Barbeau gained newfound fame among animation fans as Catwoman on Batman: The Animated Series and Gotham Girls in the 1990s, mostly in made-for-television films like Scott Turow’s The Burden of Proof in 1992, as well as playing Oswald’s mother on The Drew Carey Show and playing Oswald’s mother on The Drew Carey Show.
She also worked for KABC talk radio in Los Angeles as a television talk show presenter and a weekly book reviewer. She played Romulan Senator Kimara Cretak in the Star Trek: Deep Space Nine episode “Inter Arma Enim Silent Leges” in 1999.
Barbeau released Adrienne Barbeau, her self-titled first album as a folk singer, in 1998. She was the voice of villainess Helga Von Guggen in the animated series Spies! in seasons 1, 2, and 4. She featured in the HBO series Carnivàle from 2003 to 2005.
She played Judy Garland in the off-Broadway drama The Property Known as Garland from March to May 2006.
Barbeau portrayed Barbara Florentine in Rob Zombie’s Halloween, a “reimagining” of her first husband, John Carpenter’s 1978 classic film of the same name. Her sequence was omitted from the theatrical release, but it is featured on the DVD.
“There Are Worse Things I Could Do,” Adrienne’s autobiography, was released in 2006 by Carroll & Graf and reached #11 on the Los Angeles Times Best-Sellers List. Her debut book, “Vampyres of Hollywood,” was released by St. Martin’s Press in July 2008. Michael Scott collaborated on the book.
Bea Arthur said in an interview that she would have preferred Marcia Rodd to portray Carol Traynor instead of Barbeau. Rodd gave Carol “more of a tongue” in the All in the Family (1971) spin-off episode, which made their fight sequences more thrilling. When Maude (1972) became its own series, Barbeau was cast in the lead role, much to Bea’s chagrin.
Is three months older than Randolph Mantooth and was born in the same place and year as him. On Big Time Wrestling, she was a Miss Wrestling. George, who was stunning, flung a chair at her. She is the final living regular cast member of Maude after Bill Macy passed away on October 17, 2019.
Bea Arthur, a humorous actress, guided her into the industry when she was a newcomer. Her first appearance on television with Arthur was as a co-star opposite her in the Maude (1972) series, a spin-off of All in the Family (1971).
Carol Traynor, Arthur’s daughter, was portrayed by Barbeau in 93 of the 141 episodes. She was paid $7 per day for her USO tour of Southeast Asia in 1963. Her first paid position.
As a kid, I went to the Burlingame Conservatory of Music. She was working in a beauty shop when she was found by a San Jose Civic Light Opera Board Member. As a result, she was cast in their production of The King and I.
Bea Arthur’s fame in acting has been greatly acknowledged. I’m finding that a soap gives a lady my age a lot of options. When you’re the guest star of the week, the parts that are available tend to be the judge, the doctor, or someone’s mother at this point in your career.
However, GH reminds me of Carnivale in that we never knew what was going to happen next and it was always interesting and intriguing. This soap has a lot of meat on it!
She was unconcerned about the publicity. She had no desire to be associated with a star. She was passionate about making people laugh and doing quality work.
My role was the one who provided information to the producers when they required it in a scenario. What I didn’t realize was that I was generally going down a flight of stairs when I said such things, and no one was paying attention to me. They were just looking at my breasts as I walked away.
I believe that General Hospital (1963) is reaching new audiences, as well as folks who grew up watching Maude. When I’m at an autograph signing, so many people approach me; I have a photo of Bea and Rue McClanahan from Maude. “Oh, I didn’t realize you were on The Golden Girls (1985),” people remark. .
on Bea Arthur’s passing in 2009. I adored her, and I believe she loved me as well.
She was incredible. She’s incredible… The whole six-year adventure was fantastic. Wonderful people to work with and something to be really proud of, which I took for granted at the time since I came from the theatre and had no experience with television.
I had no idea what was going on. I had no idea who Norman Lear was or what his reputation was. It took me a while to understand how fortunate I was to have found such a wonderful job. And a lot of it was due to Bea, who is such a professional and a pleasure to work with. We had a wonderful experience.
I’m not sure Bea realized how loud her voice might be. We met in the middle aisle, right down near the stage, during intermission. She also said, “Adrienne, this is the most heinous piece of garbage I’ve ever seen! I’d leave if it weren’t for the fact that they’re all my buddies! ”
But singing upside down in a headstand on an elevated platform with your unrestrained breasts slamming against your chin isn’t easy. I’m a small lady with a decent figure and enormous breasts, but I don’t consider myself attractive.
I prefer making them, but not watching them. So I can’t speak to what distinguishes The Fog (1980) from other films of the period, but I believe that one of the reasons for the film’s popularity is that John created fully formed, eccentric characters who the viewer cares about and relates with.
Stevie Wayne is remembered by many. They like her voice, as well as the lighthouse where she works and her bravery.
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